2/21/2023 0 Comments Abc iview superwog“It is important for Australians to watch but I want the world to see our shows, as many people as possible.” Worldwide production delays caused by the pandemic have dampened the appetite of distributors to pick up dramas, notes Riley, who adds that she cares very much how widely shows are seen abroad. Commissioning platforms like ABC must pay at least $321,000 (a$440,000) per hour for dramas that have Screen Australia as an investor. The rest comes from other government sources - Screen Australia and tax rebates - and distribution advances, “which are generally diminishing”. In a government review of television regulation in Australia, ABC’s own submission outlined that it contributes “roughly half of the budget of each programme it commissions”. “It’s an ongoing challenge but we’re up for it,” she says. Just take the cast costs on some shows and that rules us out immediately.” Riley tried unsuccessfully to secure new Australian vampire series Firebite, produced by See-Saw Films for AMC+, and she admits it is harder for ABC now that the streamers have upped the ante for projects, talent, crew and even government funding. We have the talent and the creatives but unless we have a partner willing to take risks, it’s tricky because of budget. Asked if Australian drama can compete on the global stage, she pauses. Riley is known in the industry as a straight-shooter. Most popular dramas score 1.5 million-plus viewers on their first run across the channel and the ABC iview streaming platform (Australia’s population is about 26 million). Locally, The Newsreader and crime dramas Mystery Road and Jack Irish are the highest rated ABC dramas of the last two years. Riley herself is being presented with the inaugural commissioner of the year award at Screen Producers Australia’s annual conference in late March. At Australia’s 2021 AACTA Awards, The Newsreader, set in the cutthroat world of TV news, won the series category and Fires, about Australia’s devastating bushfires, won the miniseries/telefeature category both aired on ABC. Riley, who has been head of drama, comedy, entertainment and Indigenous at ABC since 2016, commissions six or seven dramas per year for the broadcast channel depending on the number of episodes. Australia’s entire slate ranges in budget from less than $36,500 (a$50,000) to more than $22m (a$30m) per project, according to Screen Australia. On 2 September of that same year, a short sketch titled Meeting with Netflix was uploaded to the official Superwog YouTube channel, as a way to promote the series' arrival to the streaming site.Source: Wolter Peeters / Sydney Morning HeraldĪBC contributed $31.4m (a$43m) towards production of 17 children’s, adult and online shows, 80% of the three commercial FTAs’ $39.4m (a$54m). However, due to the term wog being considered an ethnic slur to people from the Mediterranean and Middle Eastern regions, Superwog is displayed as Superbro on versions of Netflix outside of Australia. On 24 August 2022, both long form seasons of the series were released worldwide on Netflix. On 11 November 2020, a second season was announced, and all 6 episodes finally aired on 13 June 2021 on ABC iview. The series premiered on 9 October 2018, following a successful pilot aired in 2017. The six part series was the first Australian long-form series to be released on YouTube, followed by ABC linear channel, and at its conclusion had reached 13.5 million people across YouTube alone, with another 1 million plus reached across ABC. Produced by Princess Pictures with production support from Film Victoria, the original series was developed in association with Screen Australia and YouTube through the "Skip Ahead" initiative.
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